Candid Camera

Candid Camera

Candid Camera is an American hidden-camera and practical-joke television format created, developed, and presented by Allen Funt. The programme emerged in the late 1940s and went on to become one of the most recognisable reality entertainment franchises in the United States, running in various incarnations across radio, television, and film. Based on the simple premise of secretly filming ordinary people confronted with unusual or humorous situations, the series became a cultural touchstone and introduced many conventions of modern hidden-camera entertainment.
Originating from Funts earlier radio work, the format evolved to include multiple revivals on different networks, a British adaptation, theatrical films, and later adult-oriented spin-offs. Despite changes in presentation and broadcasting context, the essential formula of spontaneous reactions and everyday humour remained constant throughout its long history.

Origins on Radio

The concept behind Candid Camera originated on American radio under the title The Candid Microphone. The first broadcast aired on 28 June 1947 and the programme continued until September 1948. It featured concealed microphones capturing unscripted interactions with members of the public. Announcer Dorian St George provided the narration, and the series later returned for a brief run on CBS between June and August 1950, sponsored by a major tobacco company. The increasing popularity of the idea, alongside growing interest in visual broadcasting, encouraged Funt to adapt the format for the emerging medium of television.

Transition to Television

Television broadcasts began in August 1948, initially on the American Broadcasting Company network, before transferring to the National Broadcasting Company in late 1949. At this point the title changed to Candid Camera, and its format, built around concealed cameras and staged scenarios, became a recognisable feature of early American television comedy.
During the 1950s the programme alternated between syndicated distribution and appearances as a regular segment on shows such as The Tonight Show under Jack Paar and The Garry Moore Show. By 1960 it had returned as a standalone series on the Columbia Broadcasting System, marking the beginning of its most successful era.

The Classic CBS Era (1960–1967)

The long-running Sunday evening slot on CBS, beginning in October 1960, represented the programme’s peak. It consistently performed well in national ratings and reached its highest position in 1963, when it ranked second overall in the United States. Various co-hosts joined Funt over the years, including Arthur Godfrey, Durward Kirby, and later Bess Myerson, who assisted during the transition to colour filming in the 1966–67 season.
Episodes often featured notable personalities, including Buster Keaton in segments that were later highlighted in a 1987 documentary. Writers such as Woody Allen contributed material in the early 1960s, and occasional guest appearances from figures such as Jackie Robinson broadened its appeal. Among the popular segments of the period was the appearance of Pittsburgh traffic officer Vic Cianca, whose animated directing techniques became widely recognised.

Format and Techniques

The hallmark of the programme involved placing unsuspecting individuals in fabricated yet plausible situations and recording their reactions. Hidden cameras were installed in shops, vehicles, public spaces, or offices equipped with trick props—such as malfunctioning furniture or vehicles with concealed extra fuel tanks.
Once the scenario reached its climax, the participant was informed using the famous line, “Smile, you’re on Candid Camera.” The phrase became part of American popular culture and was later set to music by composer Sid Ramin. Although practical jokes formed the programme’s core, Funt also included social interviews and light-hearted interactions with children, some of whom provided unexpected interpretations of artworks or situations.
One memorable episode involved former President Harry S. Truman, who encountered a runner repeatedly greeting him at successive street corners. Truman eventually indicated his awareness of the hidden camera, demonstrating the show’s ability to involve public figures in spontaneous humour.

Revivals and Later Television Versions

After the conclusion of the 1960s run, the format continued through various revivals:

  • A syndicated weekly version aired between 1974 and 1979, co-hosted by Funt alongside performers such as John Bartholomew Tucker, Dorothy Collins, Fannie Flagg, and others.
  • In 1983, an anniversary special marked thirty-five years of the format.
  • From 1987 onwards, periodic specials featured both Allen and Peter Funt as co-hosts.
  • A daily syndicated series was produced in 1991–92 with Dom DeLuise and Eva LaRue. Although authorised by Allen Funt, he later expressed dissatisfaction with its tone and commercial emphasis.
  • A 50th-anniversary CBS special in 1996 led to a new weekly series co-hosted by Peter Funt and Suzanne Somers.
  • In 2001 the show moved to the PAX network with Dina Eastwood, continuing until 2004.
  • A further revival occurred in 2014 with a new hour-long format on TV Land, presented by Peter Funt and actor Mayim Bialik, though it lasted only one season.
  • In 2023 a new iteration was reported in development with Taraji P. Henson as host.

Throughout these cycles, Peter Funt assumed an increasingly central role, particularly after Allen Funt’s death in 1999.

International Versions and United Kingdom Adaptation

A British version of the format aired between 1960 and 1976, demonstrating the concept’s adaptability across broadcasting cultures. While adopting a similar style of concealed-camera humour, the UK edition developed its own comedic tone and became a popular feature of mid-twentieth-century British television entertainment.

Ratings and Reception

The most successful period of the franchise occurred during the CBS run of the early 1960s, when the series consistently ranked within the top ten programmes nationally. Audience figures for selected seasons included:

  • 1960–61: 7th place
  • 1961–62: 10th place
  • 1962–63: 2nd place
  • 1963–64: 7th place

These ratings reflected the widespread popularity of spontaneous humour and the novelty of candid filming during a formative era of American television.

Film Adaptations and Adult-Oriented Spin-offs

Allen Funt extended the Candid Camera concept into cinema during the early 1970s. His 1970 film What Do You Say to a Naked Lady? presented candid reactions to unexpected nudity and received an adults-only rating. A second feature, Money Talks, appeared in 1972. These projects paved the way for an adult-themed video series in the 1980s, marketed under the title Candid Candid Camera and broadcast on premium cable channels.

Originally written on October 27, 2016 and last modified on December 1, 2025.

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