BIMSTEC Traditional Music Festival
The first-ever BIMSTEC Traditional Music Festival was held recently. The event showcased the musical heritage of the seven BIMSTEC member countries. It was inaugurated by External Affairs Minister Dr. S. Jaishankar. The festival symbolised regional unity and cultural cooperation. Organised by the Indian Council for Cultural Relations (ICCR), it featured artists from India, Bangladesh, Bhutan, Myanmar, Nepal, Sri Lanka, and Thailand. The festival marked step in cultural diplomacy within the Bay of Bengal region.
Background and Significance
The festival was first announced by Prime Minister Narendra Modi at the BIMSTEC Summit in Thailand in April 2025. He emphasised the importance of cultural ties in strengthening regional cooperation. India took the lead in hosting this inaugural event to promote people-to-people connections. The festival represents the use of soft power to enhance diplomatic relations among BIMSTEC nations.
Organisers and Venue
The Indian Council for Cultural Relations (ICCR) organised the festival. Bharat Mandapam in New Delhi. The venue provided a platform for showcasing diverse musical traditions. The event was free and open to the public, encouraging inclusive participation.
Participating Countries and Performances
Artists from all seven BIMSTEC countries performed. Each nation presented its unique musical styles and instruments. This cultural exchange brought into light the rich diversity and shared heritage of the region. The festival’s theme, ‘SaptaSur – Seven Nations, One Melody’, reflected the spirit of unity in diversity.
Impact on Regional Cooperation
The festival strengthened cultural diplomacy within BIMSTEC. It encourageed mutual understanding and respect among member states. Such initiatives promote peace and collaboration beyond economic and political domains. The event set a precedent for future cultural engagements in the region.
Public Engagement and Accessibility
The festival was accessible to all sections of society. Seating was arranged on a first-come, first-served basis. This approach encouraged wide public participation and appreciation of regional arts. The event’s timing and open entry policy helped maximise outreach.
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