6,117 Kuchipudi dancers set new Guinness World Record

As many as 6,117 Kuchipudi dancers set a new Guinness World Record by performing together in a single event in Vijayawada district of Andhra Pradesh.
The Guinness World Record adjudicated for the 12-minute “Jayamu Jayamu” item as the ‘Largest Kuchipudi dance’ performance.

Key Facts
  • Kuchipudi dancers from various age groups (as young as 5 to more than 60 years) from across the world, including from US, UAE, UK, Russia, Hong Kong and Mauritius took part in performance.
  • The record event was organised by SiliconAndhra, a cultural non-profit organisation in association with the Andhra Pradesh Government at IGMC Stadium.
  • ‘Jayamu Jayamu’ was choreographed by the legendary Vempati China Satyam and it was chosen for the record attempt ‘Mahabrinda Natyam’.
  • The ‘Mahabrinda Natyam’ was part of the 5th International Kuchipudi Dance Convention hosted by the Andhra Pradesh Government’s Department of Language and Culture.

About Kuchipudi dance

  • Kuchipudi is one of the ten major Indian classical dances. It originated in a village of Krishna district in modern Indian state of Andhra Pradesh. It derives its name from this village.
  • It is a dance-drama performance art, with its roots in the ancient Hindu Sanskrit text of Natya Shastra.
  • Like all major classical dances of India, it was also developed as a religious art linked to traveling bards, temples and spiritual beliefs.
  • The Kuchipudi style was conceived by Siddhendra Yogi, a talented Vaishnava poet of 17th century.
  • It begins with an invocation to Lord Ganesha followed by nritta (non-narrative and abstract dancing); shabdam (narrative dancing) and natya.
  • The dance is accompanied by song which is typically Carnatic music. The singer is accompanied by musical instruments like mridangam, violin, flute and tambura.
  • Like other classical dances, Kuchipudi also comprises pure dance, mime and histrionics but it is the use of speech that distinguishes Kuchipudi’s presentation as dance drama.

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